普通のポップスに飽きた僕がグッと来たSuno v6用プロンプト!!

West African polyrhythmic music fused with modern jazz, female lead vocal with calm controlled delivery, no shouting, interlocking percussion patterns, layered cross-rhythms, 12/8 against 4/4 polymeter, talking drum inspired phrases, balafon-like melodic figures, electric bass with complex syncopation, clean jazz guitar, modal harmony, sophisticated horn arrangements, call-and-response structures, gradual rhythmic transformations, asymmetrical accents, technically intricate ensemble playing, earthy organic sound, experimental but culturally grounded, no generic world music clichés

Persian classical music fused with late 1960s psychedelic rock and contemporary electroacoustic composition, female lead vocal, highly controlled and intimate singing, never shouting, no vocal belting, Persian modal melodic development, microtonal ornaments, santur-inspired metallic resonance, frame drum patterns, fuzz guitar, Hammond organ, tape manipulation, backwards textures, unconventional tuning, slowly evolving drones, extended instrumental improvisation, sudden shifts between dense psychedelic textures and near silence, sophisticated modal harmony, asymmetric rhythmic phrases, subtle dissonance, experimental studio production, organic vintage instruments combined with modern spatial sound design, hypnotic, mysterious and intellectually challenging, avoid stereotypical Middle Eastern music

Alpine Swiss yodeling fused with sophisticated progressive jazz, female lead vocalist using precise controlled yodel technique with rapid chest-voice to head-voice transitions, expressive but never shouting, no belting, authentic alpine yodel phrasing transformed into complex melodic motifs, virtuosic acoustic guitar, upright bass, violin, clarinet and piano, intricate odd meters including 7/8 and 9/8, sophisticated jazz harmony, chromatic passing chords, unexpected modulations, complex counterpoint between voice and instruments, rapid rhythmic displacement, sudden tempo changes, intricate instrumental solos, dynamic call-and-response, playful but technically demanding, organic live ensemble recording, experimental song structure, no cheesy folk music, no musical theater vocals, no generic Celtic sound

Botanical electronic music infused with strange and mysterious tribal influences, as if an ancient ritual is taking place deep inside an otherworldly jungle. Intricate marimba and kalimba patterns, wooden percussion, seed shakers, hand drums and unusual ethnic percussion, layered with organic electronic textures, granular synths, deep warm sub bass and subtle glitches. Hypnotic polyrhythms, irregular rhythmic cycles, organic syncopation and evolving percussive patterns. Strange pentatonic and modal melodies, mysterious vocal fragments used as texture, subtle call-and-response, unexpected harmonic shifts. Lush, humid, dreamlike atmosphere with a sense of unfamiliar life and hidden movement. Gradually evolving from acoustic tribal textures into sophisticated botanical electronica, balancing organic instruments and precise modern sound design. Beautiful but slightly uncanny, exotic without clichés, immersive, sophisticated and experimental.